Based on a true story, Eric Anderson's Another Heaven tells a
tale of racial conflict, ambition, and greed in late nineteenth-century
Hawai`i. Katsu Goto, owner of a general store, tries to help the Japanese
plantation workers stand up for their rights against their foreman and the
plantation owner. Violence ensues, and an investigator from Honolulu
comes looking for evidence that others would rather keep buried. This
historical drama won the Kumu Kahua Playwriting Competition's Hawaii Prize
in 2001.
The historical record is fascinating and disturbing. A lower level
bureaucrat in Japan, Katsu Goto immigrated to Hawaii in 1885. He
fulfilled his three-year contract plantation worker contract at Ookala on
the Big Island, and apparently managed to save some money, because he
received a retail license to operate in Honoka`a in 1888, making him the
first of the first ship immigrants to open a store after the expiration of
their contracts. Though next door to a store owned by Joseph R. Mills,
Goto did so well that he had to hire staff, and eventually opened a new,
larger store. He sold foodstuffs, clothing, household goods, hardware, to
a largely Japanese clientele; Hawaiians and Caucasians also bought from
him.
In October of 1889, Katsu Goto was found hanging from a telephone pole in
Honoka`a. The lynching of any member of the Japanese community would have
caused dismay, anger, and fear, but Goto's store, the only one in the area
owned by one of their countrymen, had become a community center. The
death of Goto meant the loss of the leader of their community (summary
drawn from Gaylord Kubota, The Lynching of Katsu Goto).
Eric Anderson, has taken the historical records of the lynching, and the
subsequent trial, to create a dramatic portrait of the workings of entire
community in 19th Century Hawai`i. Act I ends with the lynching. Act II
follows the subsequent investigation, and its implications for our
understanding of Hawaiis social and cultural dynamics.
Anderson lives on the Big Island, in the area of Honoka`a. He has written
several plays. Another Heaven was also produced this past Fall on
the Island of Hawai`i, directed by former Kumu Kahua Board Member Justina
Mattos.
Kumu Kahua board Vice President Sammie Choy will direct the Kumu premiere
of Another Heaven. The production team includes set design by Dan
Gelbmann, costume design by Dusty Behner, and light design by Gerald
Kawaoka. The cast features Kumu veterans Laura Bach Buzzell, Shiro Kawai,
Patrick Torres, and Brent Yoshikami. Nina Buck, Phillip Bullington, Will
Ha`o, Frank Episale, and Josh Greenspoon will make their Kumu debuts with
Another Heaven.
(left to right) Sammie Choy, Wayne Paakaula, Laura Bach Buzzell,
Frank Episale, Shiro Kawai, Will Ha`o, Josh Greenspoon, Nina Buck, Patrick
Torres, Brent Yoshikami, Craig Howes
Two Public Events in Conjunction with Another Heaven
Kumu Kahua Theatre is sponsoring two evenings devoted to examining some of
the historical events, cultural legacies, and artistic issues that arise
in its upcoming production of Eric Anderson's Another Heaven. The
events will take place on Tuesday, May 23, at 7:30 p.m. at the Japanese
Cultural Center of Hawaii, 2454 South Beretania Street, Honolulu, and on
Tuesday, May 30 at 7:30 p.m at the Kamehameha V--Judiciary History Center,
at Ali`iolani Hale, 417 South King, across the street from `Iolani Palace.
These free events are funded by the Hawaii Council for the Humanities, and
co-sponsored by the University of Hawaii at Manoa Center for Biographical
Research, the Departments of English and of Theatre and Dance, the
Japanese Cultural Center of Hawaii, and the Kamehameha V--Judiciary
History Center.
The Humanities Events:
Event #I:Another Heaven: Labor History, Labor Conditions,
in the Monarchy Period
Tuesday, May 23, 2006, at 7:30 p.m.
Japanese Cultural Center of Hawaii, 2454 South Beretania Street, Honolulu,
HI
This event will deal with the ways labor was regulated--by law, by
administrative action, by coercion--during the late Monarchy period, and
after. William Puette will talk about the details of contractual labor in
this period, and how the presence of increasing numbers of Japanese
immigrant workers from the very beginning generated tensions of a distinct
and long-lasting kind. Jonathan Okamura will talk about how the racial
and ethnic tensions between multiple groups in a plantation
economy--haole, Hawaiian, Portuguese, and Japanese in Another
Heaven--set up assumptions and spurs for discipline or criminal
behavior that would reappear in the decades of the territory. Playwright
Eric Anderson will describe how he worked with these dynamics when writing
the play, and Sammie Choy, the director of Another Heaven, will
discuss how she worked with the actors to present in multiple ways the
nature and the consequences of racial and ethnic conflict and community.
A scene from the current production of Another Heaven, chosen for
its special relevance for the discussion, will also be presented.
Event #II:Another Heaven: History and Drama, Fact and/or
Fiction?
Tuesday, May 30, 2006, at 7:30 p.m.
King Kamehameha V--Judiciary History Center, 417 South King, Honolulu
The historical incident, and the play that takes this incident as its
starting point, provides an excellent opportunity for discussions of
artistic license, cultural as opposed to documented memory, and the
relationship between art and history. On this evening, Davianna McGregor
will talk about the specifics of Hawaii Law in the Kingdom, and how
changing notions of labor, from pre-contact practices through the Masters
and Servants Act, and into the operations of large-scale plantation
ventures, provide an important context for understanding the events
represented in Another Heaven. Craig Howes, Principal Scholar for
the program, will provide information about the specific historical
details of the case, and how they relate to Another Heaven. Eric
Anderson will describe how he worked with, altered, or ignored the
historical record as he wrote the play, and Sammie Choy, the director of
Another Heaven, will discuss how her research into legal and
cultural history shaped her approach to the play. A scene from the
current production of Another Heaven, chosen for its special
relevance for the discussion, will also be presented.
Kumu Kahua's 100-seat playhouse puts you at the heart of the drama. And
with well over 100 plays to our credit, our reputation attracts some of
Hawaii's most talented actors, directors, playwrights, designers and other
theater artists and technicians.